Saturday, June 30, 2007

June 2007 Archive


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Henry VIII and His Six Wives (1972)


Keith Michell, Donald Pleasence, Charlotte Rampling
4/5

An excellent (if overlooked) film, and one of the best for Tudor costumes.

Essentially a remake of the 1971 mini-series, 'The Six Wives of Henry VIII', this film once again features the very talented Keith Michell in the title role (with Bernard Hepton also re-visiting his role as Archbishop Cranmer).
But if the earlier series focused primarily on the King's wives, 'Henry VIII and His Six Wives' (as the title suggests) switches the emphasis to Henry himself. In addition, this more focused and chronological view largely corrects the irregular time line of the series, making things somewhat easier to follow (although due to the time restraints of a feature film many events are only mentioned in passing or left out altogether).

One can't help but notice that the film tends to focus on Henry's younger, more comely wives (Anne Boleyn, Jane Seymour, and Katherine Howard) while largely ignoring the older Catherine of Aragorn, Catherine Parr and Anna of Cleeves...despite the fact that his longest marriages were to the aforementioned Catherines (Aragon and Parr).

As far as characterization goes, the film doesn't stray too far from the accepted views of Henry's wives (However Anne Boleyn is shown with the famous quasi-6th finger and wen --a sebaceous cyst-- on her neck...though neither were documented during her lifetime).
The portrayal of Anne of Cleeves is more realistic, in that she spoke little to no English, had very little understanding of her situation, and was fairly unimportant to Henry (both personally and politically). Consequently she only appears in two scenes.
As for the remaining wives, the only real issues are those of omission. Many significant events are left out or glossed over...Katherine Howard's adulteries, for example, are never shown, nor is Catherine Parr's near arrest for religious extremism.

Still, in combination with the 1971 mini-series, 'Henry VIII and His Six Wives' may present the most balanced picture of the famous (or infamous) King's bizarre marital career.

DVD Worthy? Unfortunately, at the moment the only Region 1 version can be found on 'History At the Movies'. Not surprisingly the transfer isn't great, and both the sound and picture quality are very poor. So if any one knows of a better version please let me know...in the meanwhile the above DVD is a very good buy all things considered.
Extras: N/A

Costumes: Really lovely Tudor Costumes...at least what you can see of them. The gowns and hoods on the ladies are amazing; very accurate with a close attention to detail (Anne Boleyn is introduced in a beautifully fitted red gown). Henry himself wears a couple of amazing doublets and coats.
I absolutely adore Jane's elaborate cream and brown gown with its matching Gable hood. Again, if anyone can get a hold of a decent transfer this film is a wonderful resource for Tudor clothing.















































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Friday, June 08, 2007

Cousin Bette (1971)


Margaret Tyzack, Helen Mirren, Ursula Howells
4/5

As regulars to this site will no doubt have noticed, I have a bit of a soft spot for the BBC mini-series of the early 1970s (see The Six Wives of Henry VIII, and Elizabeth R). I love them...and while not one of my favourites, Cousin Bette, is still a great production.

The series is a wonderful and faithful adaptation of HonorĂ© de Balzac’s novel about Bette (
Tyzack) a poor and embittered spinster who takes in Count Wenceslas Steinbock, a penniless Polish exile and sculptor. When a marriage is secretly arranged between the Count and Hortense (Bette's pretty young cousin) Bette sets out to destroy her wealthy relations with the help of Mme Marneffe (Mirren), a beautiful and ambitious courtesan.

I really enjoyed watching this series...but I'm not a huge fan of the story, and so I might have rated this film lower if it wasn't for the outstanding performances by
Margaret Tyzack and Helen Mirren. Both women are marvelous, and their characters really bring the series to life...
However, I have to admit that the production quality is not high (certainly not by modern standards).
For one thing, it feels very much like watching a play...actors sometimes stumble over their lines, doors drift open, that sort of thing... At one point the camera pans to far the right to reveal the edge of the set, with Tyzack on the other side, adjusting her costume and waiting to make her entrance.
But I find these little quirks rather endearing...like seeing live theater.

Anyway, the series is excellent, and a must for fans of Balzac and the early BBC...
My only disappointment was in a slight change to the ending, in which Bette manages to get off one last scheme...this deviates from the book and isn't really necessary. I always thought that Bette's greatest triumph was that she dies, with the family still thinking of her as a 'good angle' (completely unaware of all the misery she had caused)....this last bit of mischief (and I won't say what it is) feels a little tacked on.

DVD Worthy: Yes...but if you're one of those who saw it on TV in the 70s and are hoping for another glimpse of Helen Mirren's nude scene you're going to be disappointed (it's been cut...at least in the North American release).
Extras: A short (text) Balzac biography.

Costumes: Given when the series was made I have to admit that I rather liked the costumes, and thought they were pretty good...but they are a bit of a hodge-podge. This series begins in the late 1830s (I believe 1838) but the costuming (and especially the hair) is very flamboyant...more reminiscent of the late 1820s/early 1830s.
This is a minor complaint to be sure, but the real problem I have is in the way the series progresses. As the years pass the older characters (espially Bette and Adeline) begin to adopt the more sombre styles of the 1840s...but the younger characters for the most part remain fixed in the early 1830s.
As I mentioned in my review of Wuthering Heights, changes in fashion can sometimes help with the story telling...but in this case it's the opposite. The producers obviously wanted the young and beautiful courtesans (Josepha and Mme Marneffe) to be elaborately dressed...but as a result these wealthy and famous women --who should be on the cutting edge of Paris fashion-- are wearing clothing that is nearly 10 years out of date (but the old spinsters are not). When the series ends in the 1840s, Josepha is still wearing the intricate 'Apollo Knot' hairstyle of the mid 1820s.
Still...it's nice to see the Romantic silhouette on film, it can be a awkward style and as a result so few films are set during this time.






















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Costumes In Detail
*Additional Screen-Captures & Production Photos*



Bette's Brown Dress

Bette's Other Dresses

Mme Marneffe's Pink & Beige Dress

Mme Marneffe's Beige/Olive Dress

Mme Marneffe's Pink Dress

Mme Marneffe's Other Dresses

Adeline's Grey Dress

Adeline's Cream/Grey Dress

Josepha's Gowns

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